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Ahmet Dedeoğlu
05-11-2008, 01:00 AM
Tercüme :Şevki Can KASAPLAR
FUNDAMENTAL DRİLLS
Birçok antrenör basketbol drilleri için zaman harcar ama çok azı bu drilleri olabilecek en faydalı hale getirmeyi başarır. drillerinizi işe yarar hale getirmek sizi diğer koçlardan farklı yapacaktır.drillerinizin rekabete dayalı bir yapı kazanması oyuncularınızında rekabete açık bir hal almasını sağlayacaktır rekabet 3 şekilde karşımıza çıkacaktır 1 kendinizle rekabet 2 zamanla rekabet 3 rakip oyuncuyla rekabet KENDİNİZLE REKABET hergün bir fazla tekrar, fazla bir şut(sayı olan) yada yarım santim yükseğe sıçramak için kendinizle yarışın.siz sadece dün ne yaptığınızla ve bugün onu geçip geçemeyeceğinizle ilgilenmelisiniz ZAMANLA REKABET
belli bir zaman diliminde kaç tekrar yaptığınızı belirleyin .öncelikli yapmanız gereken aynı süre içinde daha çok tekrar yapabilmenizdir.
RAKİP OYUNCUYLA REKABET basit ve gösterişten uzak. bu sizinle diğeri arasındadır.kim daha fazla sıçrar, daha çok tekrar yapar ,daha çok çalışırsa kazanacaktır rekabet sporcuların hergün karşılaşacakları öğedir daha iyi bir basketbolcu olmak isteyen sporcu buna hazırlıklı olmalıdır basketbol drilleri temeldir sezon öncesi çalışmaları temeldir yetenek temeldir oyuncunun gerçek savaşı saatler harcanacak olan antremenlarda başlar oyuncu tüm bunların üstesinden gelebilmelidir.yorgunluk hayalkırıklığı ter ve tabii ki disiplinli çalışma gelişmeyi yanında getirecektir . oyuncu gerçekten arzuluyorsa başaracaktır . son olarak basketbol sürekli bir tam saha ileri ve geri yada sağa sola hareketlerle oynanan bir geçiş oyunudur.oyuncunun hareketsiz kaldığı süre çok azdır . aynısı antremenlarınız içinda geçerli olmalı ve oyuncularınız sürekli hareket etmelidirler iyi oyuncu olmak çok çalışmayı gerektirir ne kadar çalışılırsa o kadar başarı gelecektir sadece zaman dolduran sporcu olmayın iyi oyuncular bunu kabul etmezler onlar daima yeteneklerini kanıtlamaya çalışırlar iyi oyuncuyla herhangi bir sporcuyu ayıran en önemli özellik iyi sporcu zamanı kaliteli değerlendirendir iyi sporcu oyun temposunda ve oyun şartlarında çalışır ŞUT DRİLLERİ SIÇRAYARAK ŞUT TEKNİĞİ ( JUMP SHOT FORM ) oyuncu belirlenen yedi bölgenin herbirinden üçer şut atar oyuncu şutu mükemmeleştirme üstüne çalışır ( şut duruşu, atış ve şut sonrası)( diagram 1 ) her şut sonrası kol havada kalır ve bilek düşer JUMP HOOK SHOT FORMoyuncu işaretli 4 alanın herbirinden sağ ve sol elini kullanarak stop jump shot çalışması yapar CUT -TOP ALMA -BEKLEME VE ATIŞ oyuncu önce potaya sonra faul çizgisine doğru maç temposunda kat eder.topu tuttuğu anda yüzünü potaya döner kısa bir an için bekleyip atışını yaparsahanın her bölgesinden beşer şut kullanır ( diagram 3 ) aynı çalışma oyuncu topu aldıktan sonra çembere drıve ve turnike ( mümkünse smaç ) şeklinde düzenlenir sahanın her tarafından beşer atış kullanılır( diagram 4 ) ALÇAK POST CUT HAREKETİ açı vererek bir alçak post bölgesinden diğerine cut edilir ve her bölgeden beşer atış kullanılır ( her seferinde değişik post hareketleri çalışılır ) ( diagram 5 ) CUT SONRASI ATIŞLARI bu driller cut ve top alma sonrası yapılacak atışlar ya da setlerinizde kullanacağınız pozisyonlar içindir cut açısı en az şutun kendi kadar önemlidir drillerin tümü 2 sayılık atışlar 3 sayılık atışlar ve sahanın iki yanı içinde kullanılabilir ( diagram 6 ) bazı cut çeşitleri ; - hareketli cut ( diagram 7 ) - flare cut ( diagram 8 ) - flex cut ( diagram 9 ) - post bölgesinde dip çizgiden sahanın orta kısmına yapılan cut ( diagram 10 ) ZİG ZAG CUT ÇALIŞMALARI oyuncu çalışmaya 3 sayı bölgesinin dışında ve sahanım tam ortasında başlar oyuncu 1 numaralı bölgeye koşar topu yakalar ve atış kullanır tekrar başlangıç noktasına döner ikinci noktaya koşar topu alır ve atış kullanır . Bu şekilde 5 bölgeden şut kullanır . bu alıştırma topu yakalayıp şut aldatması kullanma tek dribbling sonrası süratli stop jump shot şeklinde de uygulanabilir ( diagram 11 ) HUNİ DRİLLERİ Sahaya 4 tane huni yerleştirilir ( diagram12 ) koç ya da takıom arkadaşı pas verir . oyuncu herhangi bir pozisyonda başlar oyuncu engele doğru koşar pas alır atış yapar. daha sonra oyuncu diğer engele koşar.her atış sonrası en uzak engele koşulur ( diagram 12 ) SANDALYE DRİLLERİ 1 iki sandalye faul çizgisinin iki köşesine yerleştirilir. oyuncu drile sahanın ortasında başlar. güçlü bir cut fake i ile yön değiştirerek sandalyeye koşar topu alır ve atış kullanır . iki takım arkadaşı poya altında bekler ve topları sandalyelere yerleştirir drilin devamı süreyle atılan ya da giren atışlarla ayarlanabilir. oyuncu direk atış kullanabileceği gibi fake yada dribbling sonrasıda şut atışı çalışabilir SANDALYE DRİLL 2 alıştırma üstteki gibidir ancak oyuncu sandalyenin yanından geçtikten sonra güçlü bir reverse ile dönüp topu alır ve şut atar DRİLL 3 top koçtadır ve oyuncunun arkası potaya dönüktür.koç pası atar ve top havadayken sağ ya da sol diye bağırır.oyuncu square up hareketiyle döner 2 ya da 3 güçlü dribbling sonrası sandalyelerin arasından atış kullanır ( diagram 15 ) 4 SANDALYE DRİLLİ 4 sandalye 3 saniye koridoru köşelerine yerleştirilir ve herbirine top koyulur.2 takım arkadaşı topları yerine yerleştirmelidiroyuncu sağ tarafta başlar ( bu diagramda ) dip çizgiye paralel bir cut aldatması sonrası yön değiştirir ve 1 numaralı sandalyenin çevresinden dolaşıp topu alır ve atış kullanır daha sonra 2 numaralı sandalyeye ( drille başladığı ) gider topu alır atış kullanır daha sonra 3 ve 4 ten atış kullanır ( diagram 16 )
DİAGRAMLAR İÇİN FİBA ASSİST MAGAZİNE KEVİN EASTMAN " FUNDAMENTAL DRİLLS "YAZISINA GÖZ ATIN

Ahmet Dedeoğlu
05-11-2008, 01:23 AM
[Only Registered Users Can See Links] ([Only Registered Users Can See Links]) recommends the Better Basketball improvement DVD series, featuring seven videos and ten NBA stars. Simply the finest instructional videos in the sport, excellent for any player or coach. Click here to read more. ([Only Registered Users Can See Links]) [Only Registered Users Can See Links] ([Only Registered Users Can See Links]) Coach's Clinic Coaching Tips Fundamentals Books Videos Resources Sunday, May 11 DVD Review:
Six Keys to Quality Skill Development, Kevin Eastman
by Rick Staudt With the basketball community’s renewed emphasis on skill development, serious players and coaches are continually looking for drills and concepts to help them reach the next level. This DVD by Kevin Eastman, Director of Player Development for the Boston Celtics and the lead Nike Skills Instructor, does a tremendous job of bridging the gap between theory and practice when it comes to creating a better basketball player.
Eastman has a varied background in the sport. A former coach at Washington State University, he was conducting a clinic in Florida that included Doc Rivers’ son as a participant. The Boston Celtic coach was so impressed with what he saw that he brought Eastman in to develop players on the pro level. When Nike decided to emphasize skill development and create positional skills academies for elite high school players, he was tabbed to develop the program that they would follow. Shortly into the video, it is obvious he knows his stuff.
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Guiding Concepts
Eastman opens up the DVD by emphasizing that the drills and concepts that he uses are as applicable to middle school players as they are to the NBA athletes that he works with. It is important to be creative in designing and choosing the drills you use so your players are both challenged and don’t get bored quickly with the drills. For example, every coach has used the Mikan drill to improve a player’s conditioning, footwork, and weak hand. However, Eastman takes it up a notch by only having "swishes" count. This promotes concentration and makes the drill more difficult and therefore the actual game easier.
Lists, lists, lists
Eastman warns you early on that he is big on lists and proceeds to hit you with a variety of concepts that will have you re-evaluate how you train your players. His first list is the title of the video. Of the six, four of the keys involve conditioning. If the player isn’t in condition, he can not practice at a speed that will be effective and improve his skill set. Also of interest is Eastman’s Theory of Two: He can show you how to correctly do any skill in 2 minutes. It will take the player 2 weeks to become comfortable executing the new skill. Finally, it will take the coach 2 months before he is comfortable with the player using that new skill in a game.
Coach Eastman believes that every drill must have four things: weak hand development, an emphasis on balance and footwork, playing through contact, and shooting contested shots. The better a player’s balance and footwork, the better his offensive skills will become, thereby forcing the defense to play more physically, get closer to contest shots, and more likely to force him to the off hand. By working on all four of these areas at the same time, a player will develop quicker.
In the next segment, Coach Eastman moves on to his six keys for a quality shooting workout. The biggest waste of a player’s time is to just go out and shoot baskets at a leisurely pace. To get the most out of any shooting workout, Eastman emphasizes that a player must work on game shots from game spots at game speed. He also adds that the player needs to practice a variety of ways to get into his shot. From simple catch and shoot, to shooting on the move, to shooting off the dribble, the more a player strives to cover all the avenues of obtaining a shot, the better he will become.
In his final "theory" segment, Eastman covers nine teaching points when working through drills. The points basically show both coach and player how to most effectively use their body to get an advantage over an opponent regardless of size, speed, or strength. All of these points seem simple, but they are also subtle and they will leave you wondering why you didn’t think of them earlier. Such nuggets as use your eyes more to set up your fakes and that you play the game from low to high are noteworthy, especially for younger players.
Drill, Drills, Drills
While the vast majority of the DVD is devoted to concepts, Eastman doesn’t leave drills out of the picture. A noted master of using chairs in his drill work, he claims that he is up to over 50 chair drills for perimeter players and another 50 chair drills for post players. He gives only a taste of what can be done using the chairs, but it is certainly enough to make you want to check out his other material that is devoted solely to these type of drills.
On the Perimeter
By setting the ball on the chair, it forces the player to start low right away and then finish high. In this particular video, Eastman sets up the chairs at the elbows and has players perform the drills from this area of the court. He has them use different cuts and moves to get to the ball on the chair and take the shot. Eastman also makes the player do "intensity layups" where the players start at the baseline, run around the chair to get the ball, dribble for a layup, and then repeat the process from the other side.
One non-chair drill that was demonstrated was the Quick Square Drill. The player stands at the top of the key with his back to the basket. As the coach feeds him the ball, the coach yells out which way to pivot. This forces the player to concentrate and not guess, and to square up quickly to get off a quick shot.
In the Post
Many of the post drills shown were similar to the perimeter drills, just the chairs were moved closer to the basket. Two unique drills were the Baseline Touch one-on-one and Circle Block one-on-one. In Baseline Touch, two players one at each elbow, race to the baseline, touch a spot, and then sprint to a ball set on a chair in the middle of the lane. The first one to the ball is on offense. This is a very competitive drill and teaches players to get open and beat the defense to the spot. In Circle Block, two players circles each other on one block, facing the coach who has the ball on the wing. In this way, the players quickly turn from offense to defense. At the coach’s discretion, he throws the ball into the post. The player who catches it is on offense and a game of one-on-one begins. This forces players to concentrate and react quickly.
DVD Conclusion
Coach Eastman concludes the video by sharing some personal observations in the area of skill development. He believes it is vital for the coaches to be out there working with the players on skill development. By being out there, the coach shows that he cares about the players and their success. The coach should consistently make comments that relate to what needs to be emphasized on the drill so that the player will understand where to focus his attention.
Summary
One of the great things about basketball is that there are a variety of ways to be successful. The creative coach can take the concepts and theories presented by Coach Eastman and apply those drills that he thinks will best teach what he wants to emphasize to the player. While the drills presented in the video are designed for a group session, the concepts presented by Coach Eastman are very useful for the individual as well as the coach. It is certainly a worthy title for coaches at all levels to have in their collection.

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